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В этом разделе вы можете найти различные книги: художественную литературу и беллетристику на иностранных языках, пособия и методички, учебную и справочную литературу по изучающему языку. К вашему вниманию художественная литература на немецком и английском языке. Словари и энциклопедии. А понравившиеся издания вы можете заказать с доставкой.


Books in English / Развлечения / Кино

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Journalism in the Movies (The History of Communication)

3282.00 руб.*

Matthew C. Ehrlich

Journalism in the Movies (The History of Communication)

Understanding Realism

3061.00 руб.*

Richard Armstrong

Understanding Realism

Book DescriptionIn a world where camcorders and CCTV are witness to our every move and Big Brother and The Blair Witch Project are phenomenally popular and widely imitated, the divide between reality and fiction has become increasingly blurred. Understanding Realism addresses this crucial concept that is central to the understanding of film and television studies. Using a selection of the critical approaches, Understanding Realism examines the complex relationship between the moving image, appearance, and reality. Deploying the films One Fine Day and Clerks as major case studies, Richard Armstrong's in-depth treatment considers the roles that narrative, genre, audience, and ideology play in relation to realism in mainstream Hollywood and U.S. independent film. He also discusses how it is possible to reconcile the impression that what is being watched is reality with the knowledge that it is not.
Subtitles : On the Foreignness of Film

4574.00 руб.*

Subtitles : On the Foreignness of Film

Book Description"Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film -- which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled;...
Gods and Monsters: The Shooting Script

2160.00 руб.*

Bill Condon

Gods and Monsters: The Shooting Script

Book Description Now published for the first time, the Oscar®-winning script for the film starring Ian McKellen, Brendan Fraser, and Lynn Redgrave?in the Newmarket Shooting Script® series format, with new introductions written especiallyfor this edition. This critically acclaimed film was chosen by Entertainment Weekly, Premiere, Rolling Stone, USA Today, The Washington Post , and more than 100 other newspapers and magazines as one of the Ten Best Films of 1998. Based on the novel Father of Frankenstein by Christopher Bram, the film, written and directed by Bill Condon, garnered major prizes for Condon, Ian McKellen, and Lynn Redgrave. In the acclaimed Newmarket Shooting Script® series, this volume includesa facsimile of the script, a foreword by Clive Barker about his talks with Condon on how to bring cinematic life to James Whale's story, an introduction by Ian McKellen, and complete cast and crew credits. Also included is a portfolio...
Queer Images : A History of Gay and Lesbian Film in America (Genre and Beyond)

3066.00 руб.*

Harry M. Benshoff

Queer Images : A History of Gay and Lesbian Film in America (Genre and Beyond)

Book DescriptionQueer Images chronicles representations of lesbian, gay, bisexual, and queer sexualities over one hundred years of American film. The most up-to-date and comprehensive book of its kind, it explores the ever-changing images of queer characters onscreen as well as the work of queer filmmakers and the cultural histories of queer audiences--from the works of discreetly homosexual filmmakers during Hollywood's Golden Age and classical Hollywood's attempt to purge sex perversion from films, to queer exploitation and physique films, cinematic responses to AIDS, and how contemporary Hollywood deals with queer issues. An essential volume for film buffs and anyone interested in sexuality and culture.
Hick Flicks: The Rise and Fall of Redneck Cinema

3916.00 руб.*

Scott Von Doviak

Hick Flicks: The Rise and Fall of Redneck Cinema

Book DescriptionWhile the pimps and players of blaxploitation movies dominated inner-city theaters, good old boys with muscle under their hoods and moonshine in their trunks roared onto drive-in screens throughout rural America. The popularity of these "hick flicks" grew throughout the '70s, and they attained mass acceptance with the 1977 release of Smokey and the Bandit. It marked the heyday of these regional favorites, but within a few short years, changing economic realities within the movie business and the collapse of the drive-in market would effectively spell the end of the so-called hixploitation genre. This comprehensive study of the hixploitation genre is the first of its kind. Chapters are divided into three major topics. Part One deals with "good ol' boys," from redneck sheriffs, to moonshiners, to honky-tonk heroes and beyond. Part Two explores road movies, featuring back-road racers, truckers and everything in between. Part Three, "In the Woods," covers...
Empires of the Imagination: A Critical Survey of Fantasy Cinema from Georges Melies to the Lord of the Rings

4505.00 руб.*

Alec Worley

Empires of the Imagination: A Critical Survey of Fantasy Cinema from Georges Melies to the Lord of the Rings

Book DescriptionThe warlocks and ghosts of fantasy film haunt our popular culture, but the genre has too long been ignored by critics. This comprehensive critical survey of fantasy cinema demonstrates that the fantasy genre amounts to more than escapism.Through a meticulously researched analysis of over a century of fantasy pictures?from the seminal work of Georges Melies to Peter Jackson?s recent tours of Middle?earth?the work identifies narrative strategies and their recurring components and studies patterns of challenge and return, setting and character. First addressing the difficult task of defining the genre, the work examines fantasy as a cultural force in both film and literature and explores its relation to science fiction, horror, and fairy tales. Fantasy?s development is traced from the first days of film, with emphasis on how the evolving genre reflected such events as economic depression and war. Also considered is fantasy?s...
Could It Be a Movie? : How to Get Your Ideas From Out of Your Head and Up On The Screen

2702.00 руб.*

Christina Hamlett

Could It Be a Movie? : How to Get Your Ideas From Out of Your Head and Up On The Screen

Book DescriptionBefore you stock your shelves with books on how to write a film, this is the roadmap you need to determine if cinema is the best destination for your creative ideas.
James Cameron's Avatar: The Movie Scrapbook

312.00 руб.*

Maria Wilhelm, Dirk Mathison

James Cameron's Avatar: The Movie Scrapbook

In the futuristic world of Avatar, Jake, a wounded ex-marine is thrust into an elaborate scheme to mine an exotic planet for its rare and valuable natural resources. Scientists have created Avatars - bodies designed to look like the planet?s alien inhabitants that have to be operated by a human consciousness. Walking in his Avatar body, Jake finds himself drawn to the planet?s way of life. But as the threat of war grows ever closer, Jake finds himself torn between his human roots and the new friends he wants to protect. Ages: 3-7.
The Philosophy of Film

2667.00 руб.*

Thomas E. Wartenberg

The Philosophy of Film

The Philosophy of Film draws readings from philosophy, film studies, and film criticism. Organized around a series of philosophical questions about film, it offers an accessible and engaging overview of the discipline. Readings from contrasting angles and points of view discuss the value of film theory, the nature of film narration, the debate on whether films can be socially critical, and the question of what we can learn from film. Offering clear and helpful section introductions and thought–provoking reading questions, this book is the ideal primary textbook for undergraduate courses on the philosophy of film or philosophically oriented courses in film theory. More information about this text along with further resources are available from the accompanying website at: http://www.mtholyoke.edu/omc/phil–film/index.html


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