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Book DescriptionIn the early 1960s, the Alvin Ailey American Dance Theater was a small, multi-racial company of dancers that performed the works of its founding choreographer and other emerging artists. By the late 1960s, the company had become a well-known African American artistic group closely tied to the Civil Rights struggle. In Dancing Revelations, Thomas DeFrantz chronicles the troupe's journey from a small modern dance company to one of the premier institutions of African American culture. He notonly charts this rise to national and international renown, but also contextualizes this progress within the civil rights, women's rights, and gay rights struggles of the late 20th century. DeFrantz examines the most celebrated Ailey dances, including Revelations, drawing on video recordings of Ailey's dances, published interviews, oral histories, and his own interviews with former Ailey company dancers. Through vivid descriptions and beautiful illustrations, DeFrantz reveals the...
Famed photographer Sheryl Nields brings burlesque superstar Dita Von Teese to life in a series of flip books that capture the dancer?s most intimate performances. A perfect collectible book for fans of Dita, classic burlesque devotees, or for anyone who loves a playful and beautifully packaged book, DITA: STRIPTEASE is an exquisite visual tribute to this one-of-a-kind performer, featuring three of her most beloved dances: Martini Glass Show: Performed all over the world, the martini glass show is Dita?s most famous burlesque act. Featuring her in her "Diamonds in the Buff" costume, Dita performs a traditional striptease that culminates with her bathing herself in an oversize martini glass, complete with olive sponge. Bird of Paradise Show: Inside a posh gilded Victorian birdcage, burlesque?s brightest star reinvents the classic feather fan dance with two lush oversize feather fans of exotic, rare magenta pheasant feathers. In an extraordinary costume of beautifully...
Book Description1928. This is the story of the life of an American dancer, written by one who knew her and called her a friend. Duncan was born in San Francisco and at the age of 25 joined Loie Fuller's dance company, touring Germany where she was acclaimed in Budapest and Vienna. Two years later, she established a dance school for children near Berlin at Gruenwald. In 1921, Duncan was invited to Russia where she opened another dance school in Moscow and married Sergey Yesenin, the Russian poet. Tragically, Duncan was killed in an automobile accident in 1927.
Book Description “Whatever spark or gift I possess has been transmitted to Lucia and it has kindled a fire in her brain.” —James Joyce, 1934 Most accounts of James Joyce’s family portray Lucia Joyce as the mad daughter of a man of genius, a difficult burden. But in this important new book, Carol Loeb Shloss reveals a different, more dramatic truth: her father loved Lucia, and they shared a deep creative bond. Lucia was born in a pauper’s hospital and educated haphazardly across Europe as her penniless father pursued his art. She wanted to strike out on her own and in her twenties emerged, to Joyce’s amazement, as a harbinger of expressive modern dance in Paris. He described her then as a wild,beautiful, “fantastic being” whose mind was “as clear and as unsparing as the lightning.” The family’s only reader of Joyce, she was a child of the imaginative realms her father created, and even after emotional...
Book Description"MEMOIRS IN TOE SHOES" is the Unabashed Autobiography of Erna Segal, aka "Chiquita" of the world-famous dance team "Chiquita & Johnson." She captivated audiences from coast to coast with her spellbinding dancing for more than a decade in the 1950s and early 60s before retiring at the age of 23 to become a successful writer. No other dance team has ever equaled Chiquita & Johnson's incredible acrobatic ballet-adagio dancing. In her autobiography, "Memoirs In Toe Shoes," being published now for the first time, experience the phenomenal career with Erna as she lived it. Chiquita & Johnson played every major nightclub in Las Vegas, Miami, New York, Chicago, and Los Angeles, as well as the top TV shows including "The Red Skelton Show," Jack Benny's "Shower of Stars," "Colgate Variety Hour," "The Perry Como Show," and "The Ed Sullivan Show" many times. They opened shows for the likes of Jack Benny, Dean Martin, Jerry Lewis, Lena Horne, Carol Channing, Red Skelton,...
This small and beautifully illustrated book showcases the work of two great American modernists, painter Abraham Walkowitz and dancer Isadora Duncan. Born in the same year (1878), both artists influenced the development of modern art in the early twentieth century by blending figurative gesture with abstraction. Duncan grew up in a free-spirited and artistic household in California and then moved to Europe. Walkowitz immigrated to the United States from Russia when he was a child and lived most of his life in New York City, where he studied at Cooper Union School and the National Academy of Design.Walkowitz and Duncan met in 1906 in Paris at the studio of the sculptor Auguste Rodin. Deeply impressed by Duncan's musicality and expressivity, Walkowitz drew thousands of images of Duncan dancing throughout his life. Because Walkowitz's renderings of Duncan were produced quickly, they carry an element of improvisational vitality that matches the dynamic energy of her presence onstage. In...
Born on a train in Stalin's Russia, Rudolf Nureyev was ballet's first pop icon. No other dancer of our time has generated the same excitement - both on and off stage. Nureyev's achievements and conquests became legendary: he ruse out of Tatar peasant poverty to become the Kirov's thrilling maverick star: slept with his beloved mentor's wife; defected to the West in 1961; sparked Rudimania across the globe; gave his rabid sexuality full rein; established the most rhapsodic partnership in dance history with the middle-aged Margot Fonteyn; reinvented male technique; gatecrashed modern dance; moulded new stars; and staged Russia's unknown ballet masterpieces in the West. Julie Kavanagh's uncompromising and magnificent biography, ten years in the making, is a brilliant tribute to a superstar the world can never forget.
Vaslav Nijinsky spent the final six weeks before his permanent consignment to an insane asylum as something a madman in the attic. With his family--wife, young daughters and occasionally, mother-in-law--and household staff downstairs, the legendary dancer retreated to his room in a remote Swiss villa to tangle with his burgeoning psychosis. Fearful that his wife would (as she ultimately did) commit him, and highly suspicious of the physician-cum-amateur psychiatrist who daily came by to examine him, Nijinsky perceived the diary as the only safe haven for the rambling thoughts that were overtaking him. Throughout, the anxiety and anguish are palpable, as Nijinsky writes about his disillusionment with his mentor and lover, Ballets Russes director Serge Diaghilev; his alienation from and distrust of his closest family members; and his fear of insanity and its consequential confinement. His writing becomes more obscure as the weeks progress and he examines his relationship to God, writing...
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